Triton Delay

Hey all,
Long time. This is my build of Culture Jam's Triton Delay, I specifically love how it is so clean sounding and gets nice an wiggly when switching between the delay settings. There are no mods to this. Just a straight up build. I have another one that I am planning on combining with a fuzzy ring mod circuit too. That should be fun!! Anyways here are the pictures. I'll also link a demo below. Thanks for reading / looking Enjoy.
-Mike-

Hunter Fuzz

Hello all,
A while ago I did a work a like to the Shoegazer fuzz. This is a Soda Meiser with a Torn's Peaker cascaded into it. Its a VERY cool and Doomy sounding fuzz. Each on their own can get pretty gnarly but together they can conquer galaxies!! I used an etched face plate that I did the art layout for. I'll try to get a demo up soon. Thanks for reading!

Eye Ball Delay

Hello Gang,
       Last night I was able to wrap up yet another build. This one is a Madbeans Cave dweller "dub edition". What the dub edition means is that there are 2 of the PT2399 chips incorporated in this design. This (almost) doubles the available delay time.In this version two controls are combined (dwell and echo) and a "Mix" pot is added for extra texture. There are limitations with any PT2399 delay but this one certainly pushes those boundaries. One of the reasons I like this delay is, It's DARK! It almost resembles an older Boss DM2. Yes, I know, "Mike, no PT delay will ever sound as good as a DM2". Calm down, I said resembles. Anyways, This was Boxed in an enclosure that Dan Minner did for me...He likes eye balls. Which is cool with me, cause I like it weird! HAHA!, Well, here are some pictures. I'll get a video of it up soon. Thanks for reading.

Mimic Delay for Evan

Hello all,
     Long story short I started collecting comic books again and a friend (old co working for the music store) of mine offered me some Spawn action figures. I said i'd build him a pedal of his choosing for them. He wanted a delay. One of my favorite (might just be my very favorite) builds is the Hamlet Delay but Jon Patton. His use of the charge pump to boost the signal before the chip is genius, It's one of the best sounding PT2399 delays out there, I recommend it to all who haven't built one. This time I used effectslayouts version. I love Jon's layout but i wanted the external tone pot. I also wired the volume as a trimmer and mounted it to the base plate via a piece of vero board and stand offs. I also did a "Slam" mod to it. This is a momentary switch with a 22k resistor soldered to the lugs 2 and 3 of the "Repeats" pot. What this mod does is a ramping oscillation. As long as your foot is depressing the switch it will continue to oscillate. It's a pretty easy / awesome mod. Anyways, here are a few pictures for you. I'll do a demo tonight and post it asap.

Thanks for reading guys!. Hit me up with comments and questions if needed.

2 in 1

  Not what you think. HAHA! I finished 2 pedals in one night! These have been waiting to be boxed for a while. The first is the Wormhole. This is a deadaustronaut Tremshifter. The layout was done by perfboardlayouts. The enclosure was etched by Dan at ADD effects.. It was an enclosure that he wasn't going to have built so I bought it off him. I etched the board and did all the wiring, and boy was there A LOT of wiring.
     The Effect is an optical tremolo with a envelope filter in front of it. There are two rate and depth knobs, one for the tremolo and one for the envelope filter. The output knob is a "master volume" for the effect. You will also notice the 3 switch. They are Shape, Filter, and Tone. The Tone Switch switches caps to brighten or darken your guitar tone. The Filter switch turns the envelope filter on and off, and the shape filter changes the shape of the optical tremolo.
     Over all, this is a very fun pedal. It will certainly make its way onto my board. Here are some pictures. I'll get a video up soon.

Next we have my third prototype of the HUNTER FUZZ! This is a Shoegazer clone that I did the PCB layout for. This one I built for my friend Matt. The left side is the "Torn's Peaker" and the right is the "Soda Meizer". Each has it's own stomp switch and Volume and Texture knob. Not much else to say except beware of nightmares...

I will try to get videos for both of these up soon. Thanks for reading.

-Mike-

Time to play "Catch Up"

Alright, so after the mahem of the lats build I took about a week and a half off from building. Now I'm gonna box up a few projects that I have sitting on my bench. Pretty sure I have 5 or 6 projects that are ready to be boxed. I remember building a bunch before Matt (the crazy multi build I just did) got in touch with me. I think I even have artwork for some of them too. Here is the list of stuff waiting to be completed.

Tap Tempo Tremolo
Analog Delay (DM 2 work a like)
Voodoo Vibe clone,
Dead Astrnaught TremShifter
Shoe Gazer clones (2 of them)
Fuzz Factory Clone
Wampler Pinnacle Clone

So as you can see I have my hands pretty full for a couple weeks. I should blow through these pretty quick though. Most of them have been built and tested, They just need an enclosure and some art work. I might try and do a couple of face plates for the "fancier" builds (analog delay and voodoo vibe). Or maybe and etched enclosure here and there. We shall see. Thanks for reading!

-Mike-

Holy MOTHER OF ELECTRONICS!!!

So a while ago a fellow builder (Dan Minner) and I started to collaborate on a multi build that was based heavily on the "post-rock" and "post-punk" genre of music. Specifically for ambient and textural sounds, more or less that "wall of sound" type effect. This was going to be very in depth and complicated for us. The original design of the enclosure/s was scrapped due to a fabrication issue and we ended up using the biggest Hammond Enclosure we could find. This resulted in a pedal that is almost the size of a sheet of paper. It's massively AWESOME. Dan did the layout for the knobs and all the art work on the enclose. I Etched all the PCBs and assembled this monster. Here are the Circuits that the pedal is made up of.

Way Huge - Red Llama Clone - This is controlled by the Level and Gain controls on the pedal. It is a fuzz type effect and also acts as the main on / off of the pedal. None of the other effects will come on with out this engaged. You can how ever turn the other effects on before engaging the RL.

Dead Astronaut - Flying Saucer Reverb - This is a VERY spacey / oscillating reverb. This is controlled but the Reverb Mix, Damp, Tone, OSC switch, and hidden Bright switch (red cap). This is probably the most versatile reverb I have ever had the chance to play with.

Mad Professor - Deep Blue Delay - This is a great clean sounding PT2399 delay. It leaves nothing to be desired in the delay field. This is controlled by the Delay Mix, Feedback, and, Delay pots. Great for those longer, almost oscillating repeats.

Parasit Studios - Sonic Reducer- Your 8 Bit MADNESS! This is controlled buy the 8-Bit toggle switch, Rate, and Resolution pots. This adds that extra weirdness that both Dan and I love. Plus Parasit Studios has some of the coolest original design effects out there.

Now this being my first multi build it was a bit of a challenge. I had to figure out how to wire 4 circuits together. Most people start out with 2, but no...I HAD TO DO 4! I did it though. This thing is awesome. I will try to do a demo of it this weekend, Thanks for reading. for now here are some pictures.

Once again Thanks for reading. Here are some links for you to check out!

Dan's Facebook - ADDPedals

Parasit Studios - 8-bit goodness
Other Layouts we used - effectslayouts

UPDATE!

I Finally did a demo for this. Here it is, Enjoy!

Echo Base This is Star FOX

Hey Guys,
     Here is another one I've been working on for a while now. This is a MUSICPCB.com Echobase. It is a hyper filtered hi res delay pedal. There are 2 toggle switches the one under the "speed" and "depth" turns on the modulation feature. This gives the pedal a "fluid" of chorus effect. The other toggle switch turns on the "tails" feature. This will allow the repeats to finish out even if the pedal it turned off. I did the art layout on this one. I've been going back and forth on it for a while and stuck with the original idea I had. Hope you enjoy it.

Video Coming Soon!

VIDEO IS HERE!

To Delay, or not to Delay?

     This one has been in the works for quite some time...haha see what I did there. Anyways, This is a Hamlet Delay board that I purchased from a forum member over at MBP. The board was tested and verified by me when I first got it but I changed a couple things (components) and couldn't get it to work properly after that. It took about 8 months and another pot but I was able to get it going. The delay is nice and crisp sounding. I love the delay length you are able to get out of the pedal. Also the rhythmic delays sound really good too. The tone and overall level are adjustable via trim pots on the board. The circuit was designed for the "Tails" option, which I love. This means when you turn the pedal off it will repeat the last note played for it's set "cycle". The pedal uses a standard DPDT footswitch which means it is not "true bypass" but it also means that there isn't any "tone suck-age" in the guitar signal. These is quite a bit of myth around the "true bypass" movement and it's pretty believable. But that's a discussion for another time.
     One of the issues with most PT2399 delays, which this is, is that the PT2399 delay chip leaves a lot of digital artifacts or distortion in the audio signal. This is very noticeable on a lot of delays if you turn the Mix up with the repeats. It almost sounds like a "bit rate" noise. This pedal uses a charge pump or pre-amp and with proper biasing and delay level the pedal does not seem to have any artifacts or distortion in the repeats. It's really a great design. Hats off to Jon Patton (midwayfair) on this circuit.
     The pedal operates with the standard controls: Delay (this controls the length in between repeats), Mix (this controls the over all volume of the repeated signal), and Repeats (this controls how many repeats you would like for the "note" played). As I said above the overall level of the delay is controlled with an on board trim pot as are the tone and bias as well. The art I used was adapted (like that fancy word I used there) from an actual Hamlet Play flyer. The enclosure was a scratch and dent from Pedal Parts Plus. It was already powder coated the green sparkle color. Her are some pictures of the build. I will post a video later.

Previous Pedal Boards

Hey guys, My wife and I are in the process of buying a house and I don't have a ton of time to build right now. Plus all my stuff is in a box buried among the chaos right now. I thought it would be fun to give you a "filler" post. I am going to post all my different pedal boards over the years (past 6 or 7 years I think). This isn't the first but it's the oldest the I can find a picture of.

Version 1
This was a crappy guitar case I cut in half and put split hinges on. The pedals are as follows.

Top (left to right)
Line 6 Otto Filter, Boss FZ5 Planet Waves PW40.

Bottom (left to right)
Dunlop High Gain Volume, MXR Phase 90, Electro Harmonics Memory Toy, Boss CH1, Boss BF2, Hand Built AB switch (built by me)

Version 1.1

Top (left to right)

MXR Phase 90, Line 6 Otto Filter, Boss FZ 5 Planet Waves PW40. 

Bottom (left to right)

Dunlop High Gain Volume, AKAI Head Rush II, Electro Harmonics Memory Toy, Boss CH1, Boss BF2, Hand Built AB switch (built by me)

Version 2.1

Top (left to right)

AKAI Head Rush II,Boss FZ5, Line 6 Otto Filter, Planet Waves PW40. Hand Built AB switch (built by me)

Bottom (left to right)

Dunlop High Gain Volume, MXR Phase 90, Boss CH1, Boss BF2,  Electro Harmonics Memory Toy, Peavey Amp Switch

Version 2.2

Top (left to right)

AKAI Head Rush II, Line 6 FM4 Filter Modler, Boss FZ5, TC Electronics Poly Tune

Bottom (left to right)

Dunlop High Gain Volume, Boss CH1, MXR Phase 90, Boss BF2, DeltaLab Rock Distortion, Peavey Amp Switch

Version 3.1

Top (left to right) 

Line 6 DL4 Delay Modler, Signal Flex Power Supply,  Line 6 FM4 Filter Modler, 

Middle (left to right) 

Behringer Reverb/delay, Boss NS2, Boss FZ5, ElectroHarmonics #1 Echo, Custom Amp switch

Bottom (left to right)

Dunlop High Gain Volume, MXR Phase 90, Boss BF2, Boss CE5, DeltaLab Rock Distortion, TC Electronics Poly Tune

Version 3.2

Top (left to right) 

Behringer Pitch Shifter, Boss RC2, Boss PS3 Pitch Shifter/Delay, Line 6 DL4 Delay Modler,

Bottom (left to right)

Dunlop High Gain Volume, DeltaLab DD1, Boss CE5, Boss BF2, MXR Phase 90, DeltaLab Rock Distortion, TC Electronics Poly Tune

Version 3.3

Top (left to right) 

Peavey Amp Switch, Behringer Pitch Shifter, Line 6 DL4 Delay Modler,

Bottom (left to right)

Dunlop High Gain Volume, DeltaLab DD1, Boss CE5, Boss BF2, MXR Phase 90, DeltaLab Rock Distortion, TC Electronics Poly Tune

Version 3.3

Top (left to right) 

Ibanez DE7, Behringer Vintage Phaser, Boss DS1

Bottom (left to right)

Ernie Ball Volume, Peavey Amp Switch, TC Electronics Poly Tune

Version 3.4 (Current)

Top (left to right) 

Ibanez DE7, Custom Built Phase 45 Clone (built by me), Boss DS1

Bottom (left to right)

Ernie Ball Volume, Peavey Amp Switch, Custom Built signal buffer (built by me) TC Electronics Poly Tune

Well there you go guys, hope you enjoyed the show!

-Mike-